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Inlaid mother of pearl on a sterling silver pitcher places this work in the orfebrería tradition that Los Castillo sustained alongside its jewelry output — the larger hollow-ware commissions, among them trays, tea sets, and pitchers, that extended the workshop's ambitions beyond adornment. The owl, a figure with deep roots in Mesoamerican visual culture, brings both decorative and iconographic purpose to what might otherwise be a purely functional form.
Los Castillo developed a broad vocabulary of inlay materials over decades of production — tortoise shell, onyx, and crushed stone among them, as catalogued by Penny C. Morrill (1996) — and mother of pearl belongs naturally within that tradition. Shell offers a luminous, shifting quality that complements the cooler reflectance of silver, and its application to a volumetric vessel demands greater precision of fitting than flat jewelry allows.
Active in Taxco since the late 1930s and sustained across generations of the Castillo family, the workshop maintained consistent leadership in inlay work.
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