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Carved amethyst frogs form these earrings, and the choice of subject is not incidental: the frog entered Spratling's vocabulary, by the account preserved in the record, through five tiny carved amethyst frogs taken from a tomb at Monte Alban near Oaxaca and made centuries earlier by a Zapotec artisan. The earrings translate that archaeological encounter directly into wearable form, the violet stone carved into the same small creature.
Monte Alban looms large in Spratling's sources: the spectacular Tomb 7 finds, published after their 1932 discovery, gave the Taxco designers a reservoir of Pre-Columbian forms to draw on (Morrill, p. 135). The amethyst frog is among the clearest instances of that influence, the ancient object remade in a contemporary stone.
The marks used together here appeared around 1942, per the existing record, placing the earrings in the First Design Period. Carved-stone figural earrings of this kind survive in small numbers and are prized for their direct link to Spratling's frog designs.
Museum of Mexican Silver. “Amethyst Frog Earrings.” Catalog no. MoMS-000282. https://museumofmexicansilver.com/pieces/spratling-194
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Silver