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A pre-Columbian Huastec mask rendered in silver with azur-malachite, three cascabels hanging from its base, this brooch draws directly on the ancient Mexican heritage Spratling spent his life translating into modern silver. It is recorded in Reflections: Pre-Columbian Inspiration in Mexican Silver Design, the Spratling Silver Centennial Edition, and Phyllis M. Goddard's field guide, with wholesale prices of $17.60 in both 1958-59 and 1967.
The specific source is documented: Spratling's own collection of pre-Columbian clay masks of the "Smiling People," the Remojadas figures he illustrated in his book More Human than Divine, inspired this design. Taking such a motif from ancient ceramics and rendering it in silver and native stone for a modern audience is the heart of Spratling's method, which Stromberg describes as translating pre-Columbian forms into a style accessible to an American clientele (Stromberg, p. 27).
The design has been reissued, so correct hallmarks matter for vintage examples. A brooch with a documented pre-Columbian source and this depth of literature is among the most resonant of Spratling's figural work, sought by collectors who follow his engagement with Mexico's ancient heritage.
Museum of Mexican Silver. “Pre-Columbian Huastec Mask with Azur Malachite.” Catalog no. MoMS-000664. https://museumofmexicansilver.com/pieces/spratling-2518
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William Spratling
Clasped Hands Brooch
First Design Period: 1931 - 1946
Silver