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A Mayan woman, worked in silver and set into a concave blue-painted hollow framed in black, gives this plaque its quiet drama - the recessed ground cradling the figure and the colored field heightening the silver. The format treats the relief as a small framed sculpture rather than an applied ornament.
The subject continues Spratling's translation of pre-Columbian imagery into modern decorative form, the practice Stromberg places at the center of his method (p. 27).
With no scholarly reference recorded, this is a sparsely documented piece, one of the uncommon figural plaques from the workshop.
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