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Round, divided by a single line down the middle, this silver button is about as minimal as a Spratling object gets: one form, one mark, nothing more. It is a reminder that his workshop produced the small functional things as carefully as the jewelry and holloware.
The economy here, a single incised line as the only articulation, is consistent with the surface-and-line discipline that ran through his work (Morrill, p. 73).
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