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A radiating ring of pear-shaped links fans open like a sunburst, alternating polished silver domes with cabochon amethysts cut to the same teardrop. Each unit echoes the shape of its neighbor, so the whole band is built from one form worked in two materials, bright reflective metal and translucent violet stone. It is the reductive, single-idea logic Antonio Pineda brought to Taxco silver, where the school's jewelry more often ran to flowers and figures.
Hung on jump rings, the teardrops swing freely and the band stays flexible, fanning flat into the sunburst and closing snug around the wrist. The amethysts, set in plain bezels at every other link, break the run of silver with a deep purple at regular intervals, so the rhythm comes from the alternation itself rather than from any applied ornament.
The bracelet is stamped MEXICO with Pineda's early AP mark, used about 1941 to 1950, and the inventory code ZZ228, the ZZ prefix reserved for bracelets in the shop's numbering as recorded by Stromberg. The silver is solid and highly finished, giving the piece real weight, while the amethyst, a quartz long mined in Mexico, supplies the only color.
Worked entirely from one repeated teardrop, it is Pineda treating a bracelet as small sculpture, form and interval and stone, graduated and massed with the organic feeling that runs through his repeating-link work of these years.
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