Sculptural Woven Silver Cuff Bracelet

Wide, bold, and purely abstract, this sterling silver cuff is organized around a lattice of raised diagonal bands that cross and lock into a woven relief running the full breadth of the form. The design is Antonio Pineda's own — no gemstone, no color, no figurative element to mediate between material and wearer, only the sculptor's control of silver volume.

The effect is built through repoussé: convex ribbons emerge from the sheet surface, each one rounded and polished to catch light, while the channels between them are oxidized dark. The rhythm of crossing produces a visual tension between structural rigidity and the suggestion of actual interlacing, as if the bands might slip past one another. Gobi Stromberg has described Pineda and his Taxco contemporaries as bringing "a highly innovative approach not only to metalwork but also to decorative arts and bodily adornment"; this cuff pushes that approach into an emphatically geometric, self-sufficient statement.

Pineda established his taller on the Taxco zócalo in 1941 and over the following decades built a design vocabulary that moved freely between Pre-Columbian structural reference and midcentury modernism — what Stromberg identifies as the Silver Age, when the Taxco workshops were channeling bold design ambition into work that drew an international clientele to the mountain town. The scholarship of Penny C. Morrill and Gobi Stromberg has firmly positioned Pineda's mature studio output as central to the Taxco school canon.