Silver and Amethyst Cabochon Bracelet

The clean geometry of a wide silver band carrying an unbroken course of amethyst announces Antonio Pineda's modernist sensibility before any mark confirms the maker. Where many Taxco silversmiths of his generation worked in organic line and pre-Columbian motif, Pineda characteristically resolved form through architecture: the plain sterling margins framing the stone field and the measured width of the band give the piece an authority that comes entirely from proportion.

Morrill documents Pineda's use of amethyst cabochons as part of his material vocabulary from the mid-1940s onward, and his bracelet output over the following two decades — leaf forms, concave ovals, cartouche settings with moonstones — shares the same disciplined preference for resolved structure over decorative elaboration. The wide-band format seen here, stone carried across the full face of the cuff, sits squarely within that established body of work.