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A 'Swan' necklace shows Margot van Voorhies Carr drawing an elegant living form into enameled silver. She developed a trained eye for motifs that could be adapted to either silver or enamel, working from an extensive library and from forms she watched closely (Morrill, p. 168), and a graceful bird like the swan suits that habit of stylizing natural subjects.
The sterling-and-enamel pairing is the basis of her reputation. Champlevé enamel-on-silver had originated at Los Castillo with Reveriano Castillo and Miguel Melendez, and Margot perfected it into one of her major lines (Morrill, p. 166).
Every model her taller produced was her own design, set down with written instructions covering the dies and enamel colors (Morrill, p. 168), so a named design like the 'Swan' was a fixed catalog entry.
Necklaces from this enameled figural line reach the market only occasionally.
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