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A run of slim silver ovals carries the whole idea around the neck: every other link cradles a rectangular amethyst set flush within its frame, while the links between are left open and bare. The result is a measured alternation of violet and bright metal, a rhythm rather than a single focal stone. It is jewelry built as a modular sequence, where the repeating unit does the work, the structural thinking that separates the strongest Taxco-school silver from costume imitation.
The vocabulary is restrained and sure. The ovals are clean, free of applied ornament, leaving the amethysts and the play of polished against shadowed silver to supply all the color and incident. Each stone is cut as a rectangle and held in a plain bezel, repeated at even intervals so the necklace reads as one idea worked across its length rather than a string of separate jewels, closing at a discreet box clasp.
The marks are the full hallmark of Antonio Pineda's workshop: the Antonio-Taxco crown maker's mark, MADE IN MEXICO, SILVER, and the eagle-17 national assay, with the piece numbered YY 508. The prefix is deliberate. In Pineda's own inventory system YY designates necklaces, the coding Stromberg lays out in his study of the maker.
The eagle assay places the necklace in the mature years of the taller Pineda founded on the Taxco zócalo in 1941, past the AP-signed work of his first decade. By then the workshop relied on master silversmiths to execute his designs in volume, the setting in which a numbered, repeating-module necklace like this one is most at home.
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