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Champlevé enamel necklaces represent the work that secured Margot de Taxco's standing in the Taxco school, and this numbered sterling silver example carries the qualities Morrill identified in her production: elegance of line, sensuality of color, and a technical finish that holds its visual force decades on. Design 5120 falls near the upper end of the studio's numbered sequence — Morrill notes that higher design numbers generally designate later models — placing this necklace in the mature phase of an enamel program the studio had refined continuously since 1955.
Margot van Voorhies Carr established her taller and shop above the Taxco zócalo in 1948, and the enamel-on-silver line that came to define her market arrived seven years later and remained in production throughout the studio's run. The numbered inventory system she applied to each design gives collectors a precise reference point within a large body of work; a number this high documents a design that emerged only after years of accumulated technical confidence. The design number anchors the piece firmly within a well-ordered production history.
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