Design 5832 necklace

Design 5832 earns its place in Margot de Taxco's numbered catalogue at the higher end of an inventory system in which, as Penny C. Morrill documents, the smaller the number, the earlier the piece. That high designation situates this sterling-and-enamel necklace within the mature run of a design practice she sustained from the founding of her own taller through the mid-1980s — decades in which her enamel line had already established itself as the studio's creative and commercial signature.

The production system behind that line was deliberate and closely held. Morrill records that Margot designed every piece herself, setting down in a workshop book the color options, die counts, and assembly sequence for each model, with notes indicating which earrings or pendants were meant to pair together. That authorial control extended from conception through the enamel work — a champlevé method she carried forward from her Los Castillo years, where the technique had first been introduced, into what Morrill describes as one of her major lines of jewelry.

Pieces from the higher portion of the catalogue document the studio at full development — the design vocabulary settled, the production standards she insisted upon still intact.